When I was reading the 56 Hikol piece about Tehjen, I did not render Narahji in the IPA — although retrospectively, that would have been easier. I would have needed way fewer takes than I had to do to get this right!
That piece is written in pre-reform Narahji, which you can tell because the possessive word is mosmur instead of momu. The prefix mos- is used to indicate possessiveness, and mur is the first person singular indirect object pronoun. People in Narahja practice diglossia up until 1897, when the language is course-corrected.
My words bring horror. People call me Desertion.
My skin is the color of cliff-rock, and it flakes like cliffrock.
The Great Canyon dark devours my soul.
My body becomes it, and the Canyon-Dark becomes my mind.
It rips my brain into small pieces that are the Canyon’s rivers,
And my blood is the soil that nourishes the people with fruit.
Such is my fate to serve for all time:
I revolted against our ways, the Karatha, the Tesekhaira, the ruler!
I chose to be alone, and what a mistake! I am no more.
That is this in English — but in Narahji, it becomes:
I mukro bezurælotek kul magdu mosmur xai Tehjenan manlịdgu.
I neä ruaịgzærmobæ glabdeml i blesgị mosmur xai lagịgzæla.
Ku klazæxub mosmur gleglælaben ku Narahjịgz lịbịmị̈nobæ.
Kusanglabdemlben omdag ku glịklazæ mosmur; radag kusanglabdemlben ku kovta.
ku koværna belæla kul ösyosnosyosjab xai kul bizar ragazị glabdæl bakus
Xai i ëiza glabdeml i ịtö, ku sjenä i hjenganas nokla i ëiza.
I dom mosmur glabdeml lexai fubä, gåmịtit kolborị:
Ku tsærgbị mosbyur, Katatyan, Kerosyan, ñæ Deimolan natzssaịtrun!
Tselvit bladeissaịtrun, xai ku narlị glabdeml kolborị! Boglabdesunuakba.
The text exists somewhere between a poem and prose — it’s not in a formal metric style. This is quite common in Narahji because oratory and poems are recited differently from ordinary speech. Certain vowels, such as i, o, u, and a, are lengthened and have a higher pitch even when they are not stressed. It produces an extremely stylized form of speech. Below is the text I actually worked from while doing the reading, which contains both the lengthened vowels and the original word stresses.
Ī mūkrṓ bezū́rælōtek kūl magdū́ mosmū́r xai Tehjénān manlịdgū́.
Ī nehā́ rūaịgzærmobæ glābdéml i blesgị́ mosmū́r xai lāgị́gzæla.
Kū klāzæxū́b mosmū́r gléglælaben kū Nārāhjị́gz lịbịmhịnōbæ.
Kūsānglābdémlben ōmdāg kū glịklāzǽ mōsmū́r; rādā́g kūsānglābdémlben kū kōvtā́.
kū kōværnā́ bélæla kūl hōsyōsnōsyṓsjāb xai kūl bīzā́r rāgāzị́ glā́bdæl bākū́s
Xai ī heizā́ glabdéml ī ịtthṓ, kū sjenhā́ i hjengānā́s nōklā́ ī heizā́.
Ī dōm mōsmū́r glābdéml lexai fūbhā́, gåmịtī́t kōlbōrị:
Kū tsærgbị́ mōsbyū́r, Kātātyā́n, Kerōsyā́n, ñæ Deimṓlān nā́tzssāịtrūn!
Tselvī́t blādéissāịtrūn, xai kū nārlị́ glābdéml kōlbōrị! Bōglābdésūnūakbā.
I had to make a decision with characters like Karatau Meiyenesi (Kurutimi) in the audio. As an Iturji upper-class person of the jomela gender who has extensive training in oratory and politics, Kurutimi would speak in Tveshi, Iturji, and Narahji using an affected oratorical style. The Iturji follow the Ịgzarhjenya (Khessi, Narahji, &c.) in that. It’s a sign of status. I tried out some of ler sentences in English using oratory-like diction, and it was over-the-top. I compromised on that.
This recitation is thus one of the few places where the oratorical style actually comes out and bites the reader.